HEAT SHOT 3; Aurora tour 09, UK
Thursday 5 March Chapter, Cardiff Wales' premier contemporary art venue, Chapter is one of Europe's largest and best-respected centres for the visual and performing arts. See here for further information and to book tickets.
Wednesday 18 March, 6pm Tyneside Cinema , Newcastle-upon-Tyne One of the UK's best independent cinemas, the Tyneside is host to an array of special events in addition to an extensive programme of films. Festival Director Adam Pugh will introduce this special screening and take part in a Q&A afterwards.
Saturday 18 July, 2pm Norwich Arts Centre , Norwich The tour calls in at Norwich in summer as part of CAN 09, a two month-long contemporary art festival taking place in the city.
Tuesday 28 July - Saturday 1 August, 11am - 6pm CCA, Glasgow Playing in CCA's foyer on Sauchiehall Street.
Wednesday 9 September, 7pm Black Box Café, Belfast
After last year's screening, the AURORA Tour returns to Belfast thanks to Digital Arts Studios, as part of the Oscillations Festival. Tickets £3 (book here)
Friday 20 November, 9pm Arnolfini, Bristol The last stop for the tour, as part of Encounters Short Film Festival 2009.
About the programme
A selection of ten of the best new artists' films from across the world selected for Edition 2, our newest DVD, this touring programme includes work by Charlotte Pryce, Takashi Ishida and Samantha Rebello. As with the festival itself, the programme is deliberately technology-independent and represents a wide cross-section of artistic practice - from rigorous formal experiments to lyrical, poetic work; hand-processed, textural 16mm films alongside maverick digital adventures.
Untitled (Objects 3) Sophie Michael UK 2008 3’03 A filmic and sculptural enquiry into the depth and slippage between a two-dimensional field and its actual location in three-dimensional space.
August Vanessa O'Neill USA 2007 4’30 Impressions and presences evoked by hand-worked glimpses; lit moments.
Tape Film Chris Kennedy USA / Canada 2007 5’ Made as an experiment in hand-processing, Tape Film cycles through five different film stocks and a variety of processing methods. The result creates dimensional havoc in the image. The concepts of inside and outside are troubled and the act of enclosure itself creates a screen on which to project the filmmaker’s own image.
the object which thinks us: OBJECT 1 Samantha Rebello UK 2007 7’ “Utilitarian objects, related to health and hygiene, rendered in unconventional ways. This unsettling film questions the way in which we relate to our surroundings by exploring the ‘radical otherness’ of things.” —Mark Webber
You Can Lin de Mol Netherlands 2008 3’15 Details of a room counteract with slow pans across trees, duckweed and brushwood, describing the mood of a moment like a string of haikus. The opening aria of Bach’s Goldberg Variations forms the frame of this ‘associative editing’ piece which references the still-life paintings of Dutch artists Pieter Claesz and Lara de Moor.
The Parable of the Tulip Painter and the Fly Charlotte Pryce USA 2008 3’50 An intoxicating flower; a metaphorical insect; a longing reach across the centuries. The Parable of the Tulip Painter and the Fly is a philosophical search drenched in luminous colours and sparkling light.
Fore-and-Aft Sara MacLean Canada 2008 5’46 Fore-and-Aft was created by the Bay of Fundy in Nova Scotia, Canada—site of the highest tides in the world. Images of the tides are married with celluloid that was buried in the sea bed and dragged through the ocean behind a boat, recording tactile evidence of the repetition and changes wrought by tide cycles.
Masking for Serene Velocity - Heat Shot 3 YeonJeong Kim South Korea 2008 11’ Referring to Ernie Gehr’s masterpiece Serene Velocity, YeonJeong Kim's film explores the speed and movement between ordinary signs and memories. The collision between 16mm and 35mm film creates new movement and new meanings of film itself, materially—as well as a subtle range of emotions.
Current Shot 01 Philippe Gerlach & Stefan Kushima Austria 2007 15’ “Like a picture puzzle where you have to look for the differences, the detail oscillates between animated photography, film still and tableau vivant. And precisely this suggestiveness makes Current Shot 01 so fascinating: the slightly weird impression that results when faceless figures – motionless and then in motion – start looking at you…” —Alexandra Seibel
Umino-Eiga (Film of the Sea) Takashi Ishida Japan 2007 12’ A black-and-white film is projected onto a wall. Blue paint starts to issue from the projected image, until the room is filled with paint and the distinction between room, image and seascape is lost, to dizzying effect.